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Meditations >
Self portrait while dreaming

Self portrait while dreaming

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NYC drawing.  This is a print of a small drawing i did with color pencil on gray Cason mi-teintes paper which translates well as aprint on any surface.   . I have found this image to have hypnotic qualities and can be effectively enlarged  and still have a quiet presence  . Very suitable for a meditative space. 

This abstract artwork features a gradient of black, white, and red tones that create a sense of depth and emotion. The use of textures and limited colors add to the dynamic and ethereal quality of the piece, with sketchy black lines framing the margins. This artwork evokes a dream-like atmosphere, capturing the essence of a sleeping figure.

 

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Self Portrait While Dreaming

Self Portrait While Dreaming is a quiet and deeply restrained image, but its simplicity gives it unusual force. A pale, nearly featureless face appears suspended inside a vertical rectangular field, partly visible and partly erased. The upper portion is dominated by a dense black mass that descends over the head like hair, shadow, night, or a curtain. Below it, the face dissolves into mist, leaving only the faintest suggestion of eyes, nose, and mouth.

The image feels less like a conventional self-portrait than a record of a state of consciousness. The self is present, but barely. It has not vanished completely, yet it has lost the sharp outlines of waking identity. What remains is a softened imprint — a face remembered from inside sleep, or a self glimpsed at the edge of dream before it disappears.

The dark upper shape is important. It presses downward with weight and silence, creating the feeling of thought, sleep, or unconscious material settling over the figure. It could be read as hair, a hood, a room, a night sky, or a block of darkness. Its ambiguity allows the image to remain open. Rather than describing a person, it suggests the pressure of an inner atmosphere.

The pale lower area gives the work its haunting emotional quality. The face seems to be emerging and fading at the same time. It is intimate, vulnerable, and withdrawn. There is no dramatic gesture, no strong expression, no symbolic excess. The power comes from reduction: the image strips the portrait down to a trace of presence.

 

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Description from Merchant:

Giclee prints purchase directly from me are printed on quality paper produced for superior durability using archival materials. The name and description of the paper will be provided by request. I have been working for over 50 years only with paper of the highest quality. The inks are Epson Sure Color Inks, which will not fade if stored and displayed in the proper environment. There may be some products in the store fulfilled by the artist used in framing that are of unknown archival quality. These will be identified in the description and will be reflected in the pricing.

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